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Poetry Winter 2013    fiction    all issues

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Alysse Kathleen McCanna
Pentimento
& other poems

Peter Nash
Shooting Star
& other poems

Katherine Smith
House of Cards
& other poems

David Sloan
On the Rocks
& other poems

Alexandra Smyth
Exoskeleton Blues
& other poems

John Glowney
The Bus Stop Outside Ajax Bail Bonds
& other poems

Andrea Jurjević O’Rourke
It Was a Large Wardrobe...
& other poems

Lisa DeSiro
Babel Tree
& other poems

Michael Fleming
Reptiles
& other poems

Michael Berkowitz
As regards the tattoo on your wrist
& other poems

Michael Brokos
Landscape without Rest
& other poems

Michael H. Lythgoe
Orpheus In Asheville
& other poems

John Wentworth
morning people
& other poems

Christopher Jelley
Double Exposure
& other poems

Catherine Dierker
dinner party
& other poems

William Doreski
Hate the Sinner, Not the Sin
& other poems

Robert Barasch
Loons
& other poems

Rande Mack
bear
& other poems

Susan Marie Powers
Red Bird
& other poems

Anne Graue
Sky
& other poems

Mariah Blankenship
Tub Restoration
& other poems

Paul R. Davis
Landscape
& other poems

Philip Jackey
Garage drinking after 1989
& other poems

Karen Hoy
A Naturalist in New York
& other poems

Gary Sokolow
Underworld Goddess
& other poems

Michal Mechlovitz
The Early
& other poems

Henry Graziano
Last Apple
& other poems

Stephanie L. Harper
Unvoiced
& other poems

Roger Desy
anhinga
& other poems

R. G. Evans
Hangoverman
& other poems

Frederick L. Shiels
Driving Past the Oliver House
& other poems

Richard Sime
Berry Eater
& other poems

Jennifer Popoli
Generations in a wine dark sea
& other poems

Paul R. Davis

Landscape

I like the way


lamplight makes the page


of the book


I’m reading gleam.


A wild vanilla with


crazed insects wobbling


into my mind.


I start to close


the book


and night appears,


sheep stranded high


on the outcropping.


Between the pages


is the everdark valley


of no language,


where words cross over


hurriedly to reach


the other side.


I put the book down,


the words don’t fall out,


or over themselves.


They are locked in place,


like fresh eggs in their


cartons, asleep


and dreaming of speech.



Second Vision

Too many eyes, too many things to see.


Twin cathedral steeples, nipples


erupting from the breasts of God.


Signs falsely proclaiming pizza is both


original and Italian.


Conversations boomerang off bent elbows,


mismatched words litter avenues.


Briefcases, laptop attache cases,


bag lunches, boxes of pizza for one:


FedEx will not deliver your life


or you from it.


Clouds invade your shoes,


your pockets full of gray money,


handfuls of anxiety fall out of your hat.


Afraid to go home, afraid of the continual fear,


drowning in the comfortable couch.


Going to sleep naked,


one sheet, one blanket,


2,738 dreams you won’t remember.


Morning is a roving wolf,


eating the bones you forgot.



Eating Molly’s Pie

It was a sunny morning,


sky of flour and butter.


I went out to eat


some of Molly’s pie,


came away fuller than the moon.


It was noon like turtles lounging.


I went out and had some more


of Molly’s pie.


I left the desk,


overturned the timesheet,


went out like a thunderstorm.


I looked in corners where butts are thrown,


looked at signs like forgotten face cards,


looking for Molly’s pie.


Close to midnight


down by the river,


Hungry Davy was there,


eating the last of Molly’s pie.


I cried up, all the way through my hair,


wanting some of Molly’s pie.



Klismos

(4th Century Greek chair, perhaps the first of Western civilization)


Ladies, be seated.


Rest in elegance and wait for the news.


Your husbands are in the fields,


or fighting for Athens.


When Rome ascends,


when Saint Peter visits,


he will be crucified but leave a seat


for his crude descendants.


But this will be hidden, kept secret


from the tillers and the potters.


They will have curved backs,


broken backs, will lack support.


Castle residents will know the comfort,


the tribute from the fields, the gathering laws.


Conquistadores will bring saddles


and crucifixes to a world reclining.


They will join with missionaries


to bring enlightenment and germs.


All the world will be seated:


To work, to learn, to take rest.


What wondrous device will ennoble us?


How will nature uncivilized devolve?


We will lose our legs, take on those of wood,


carved with faces straining under the weight.


Our backs will weaken,


our eyes forget the wide vistas scouting danger,


our minds will turn more quietly.


We will be soothed.


The oceans are crossed while we stand


before the compass, afraid to sit and


not see the upright horizon.


These new lands have knowledge


of running and resting,


but we bring strange new instruments


lacking harmony with nature.


Forests are hacked down,


the wood is shaped into towns,


houses and their possessions,


legs and spindles hold us in place.


Intricacy and detail envelop our bodies,


stiffnecked we suffer the hardness


of where we sit.


The plains and rivers hold freedom


like butterfly wings hold the sun,


we seek the prairie grass to burn.


The western shore is gained


but there is no rest for our business,


still we are straight-backed.


Leisure is acquired with sweat


and now we can know comfort


of leather, of upholstery,


feathering our labors.


Finally, we sit: collapsed,


to think of new inventions,


made for human bodies.


New devices take craft


and they have arms, levers,


footrests and let us dream.


All in beautiful reveries,


we take our seats.


Paul R. Davis lives in central New York State with his wife, parrots and cats Now retired, he enjoys operating model trains, philately, gardening, and preparing meals with his wife. His work has been published in Latitudes, Comstock Review, Comrades, Hot Metal Press, Georgian Blue Poetry Anthology, The Externalist, Centrifugal Eye, and others. He believes in a simple poetic philosophy: to wit, the joy of expression, the necessity of communication.

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